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The ability to maintain a professional demeanor during periods of higher-volume work and/or pressing deadlines. The ability to juggle multiple priorities and communication streams at once through a variety of platforms. Minimum 3 years experience working in a high volume post production facility or similar production experience.įamiliarity with various tape formats, file formats, the encoding process, and digital delivery methods.Įxperience with navigating and updating media and administrative databases. Pull marketing selects as directed by Producers/Editors Pull selected still frames for thumbnail images
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Comfort working with data transport and storage.Ĭreate final assets once programming is finalized and archive and organize all raw original media.
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as neededĪssist all editors and audio engineers by prepping new projects for edit and prepping mix files for new edits, including creating proxies. Manage, ideate and edit multiple internal videos for our internal All Hands meetingĮdit videos create lower thirds, title cards, captions, etc.
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Monitor and execute the delivery of content to a variety of linear and digital platformsĪdminister the procurement and ingest of source media for all edit sessionsĮnsure the continual creation and registration of archival content Please include a short cover letter letting us know you understand the gig, and a reel of your own editorial work. Start date can be flexible- let us know your avails. One to two weeks now, and additional work (flexible) as job completes. Has a strong personal sense of excellence Has a terrific eye-can tell great shots and interview bites from the merely okay. Has a great reel of stuff they've edited Is a very experienced AE, who can clean up, sync and prep footage precisely, quickly and professionally LA preferred to avoid cross-country shipping of hard drives. You'll work on your own Premiere system at your home or office. You will also be the editor for 2-4 additional short web promos we'll create from the footage. You will prep documentary footage for a 3.5 minute promotional film, including first pass evaluation of best shots, and binning them for the story we're creating. (this is a paid job- just letting you know the content!) You'll work with an experienced Film/TV writer/director and a top commercial editor to create a new promo package for Summer Stars, a 501c3 performing arts bootcamp for underserved kids. Minimum of 1 years experience in this role Must be able to effectively and continuously communicate with multiple team members and members of the Post Production Department on a daily basis Must be organized and reliable to ensure no footage is lost or missing Able to troubleshoot technical issues that arise Familiar with various camera card structures and codecs Familiarity with Avid Media Composer, AMA Linking, Transcoding and Avid NEXIS Environments Assisting with the online process during final finishing Exporting cuts for both internal and network review Working with the Post Supervisor, Editors, and Producers to group, sync, script sync, and stringout pertinent material Submitting interviews for transcription AMA linking and transcoding the footage in Avid Media Composer Backing up and verifying Raw footage from the field as it comes in to the office This position will manage the ingest and transcoding, project organization, footage grouping and syncing, sequence string outs, and exports of cuts. We are looking for a highly capable Assistant Editor for our Post Production Department.
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Lucky 8 is a full-service unscripted production company founded in 2014 that has created and produced a wide range of successful series and specials, from blue-chip documentary to formatted reality, in genres spanning crime, science, food, comedy and more. Similar jobs that may interest you Exclusive Jobs
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Search for more production jobs using filters.Browse for more production jobs by category.Work is done remotely with no requirement to come onsite at this time. You will have a 2nd AE who can help out when necessary, and you report directly to the show's Post Supervisor. Assistant Editor must be extremely proficient in Adobe Premiere, with the ability to group & sync, create dailies, project management, send files for transcription, and work with editor directly in string outs, scene work, music importing, and various other duties. Editor is working remotely in Montreal, while the media is housed in New York. Filming has been commencing sporadically for past few months and we are heading into our edit this month and we're looking for that Assistant Editor whose ready to really manage and oversee a project directly.
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Looking for a detail-oriented, talented, and positive Assistant Editor for our latest documentary feature "Le Bal".
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